I have now successfully written 13,201 additional words in the last 72 hours, or the rough equivalent of 48 pages. I’m almost caught up with the 16,000 words that I’m supposed to have at this point, but I’m not quite there yet. It’s very obviously still first draft material, but I am frakking elated. So far Children of Winter, Children of Wolves is approximately 59 pages long and is humming along like a dream, and I even have a vague idea as to what’s coming next.
After a long draught of (fiction-related) writer’s block and despair, I am back in the game!
(Please don’t let this jinx it, please don’t let this jinx it…)

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Still not caught up with where I’m supposed to be yet, but having written almost 4,000 words in a relatively short amount of time (most of yesterday afternoon/evening got devoured by running errands instead of writing, alas) I’m still feeling pretty proud of myself. At this stage in the novel I have all the exposition stuff mostly squared away and have just finished the first major action set piece. I’m afraid I might have shown my hand too early, though, because I’ve now shown that the Big Bad I’d set up in the prologue can be downed at least temporarily through a well-placed taser or three. My heroes are on the run after having been assaulted and evicted from their place of safety, and now I’ve got to figure out how I’m going to launch the second third of the book. I may have to resort to calling another character out of retirement since the first book. We’ll see.
Also, I’m both impressed and annoyed with how the NaNoWriMo word count tracking widgets function. The upside: I can post my word count on the side of my blog, just over there to the left. The downside: it apparently only updates once a day, so it doesn’t reflect my new five-figure status. Grump grump.
Right. Back to the slog. Not only do I need to catch up, but I suspect I should try really really hard to bank some work as well. Only 6,209 words to go until I’m caught up… I think the big thing this time around is going to be just rediscovering how much fun it is to write with abandon, and leave out all the concerns about word choice and deeper meaning and whatnot. Bones of the Angel was designed to be an art-house action-adventure movie on paper, nestling my own thoughts about religion and small town life between things blowing up. Children of Winter, Children of Wolves, on the other hand, feels more like a summer blockbuster. Which, when one is trying to reconnect with the art of writing and reading for pleasure, is utterly fine.
One last note – I am discovering, unfortunately, that doing both NaNoWriMo and DrawMo simultaneously is difficult for a reason I hadn’t anticipated: last night I sat down to draw and realized that my brain was working in words instead of pictures, and refused to let me throw the switch. Part of this is, I’m sure, because I’m leery of being unable to throw the switch back to the novel-writing mode, but for right now NaNoWriMo wins. I do have some DrawMo sketches to upload later, but for right now, I’m focusing on the written word. Onwards! (Or should that be ‘onwords’?)

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I’m having issues with my NaNoWriMo 2008 project. For starters, I was actually traveling when November began, crisscrossing Ohio in a short tour of schools I have known: the College of Wooster, Kenyon, Ohio State, and finally Ohio University down in Athens. Long story short, I was looking for answers to some questions that I had about the perception of the digital humanities in small liberal arts colleges back home. The results were more or less as I’d expected: Ohio State and Ohio University, both bigger schools, already had digital humanities programs in place, while the smaller liberal arts schools like Wooster and Kenyon were taking a more conservative, interdisciplinary model in hand. I came away with still no definitive answers, but a lot more data to help me make an educated guess about what I should be doing next. (When I’ll do it is a different question. Pesky debt…)
Anyway, so traveling as much as I was made any extended writing difficult, but now I’m back and using this holiday weekend to play catch-up. In order to write 50,000 words in 30 days, a writer has to average 1,666.67 words per day, and by day 9 (which is today), said writer should have exactly 15,000 words cached. I, alas, do not. Part of this is due to travel, but part is also due to two false starts. I first started writing a short story that I’ve had stuck in my brain for years called Sticks, which I got 1,290 words into and then set aside. Then I started playing with what Stephen King calls a ‘toy truck’ story, a goofy riff on steampunk that went on for 612 words before I set that aside too. Then I returned to an idea I’d had for a while for the sequel to Bones of the Angel, and that’s where I got some traction – even though most of yesterday was spent wrestling with Quicken and piles of financial data, I’ve still managed to bang out 6,911 words in approximately the last 24 hours. That’s the thing about me and writing – when I get going, and can stay focused, it’s awesome. It’s the getting going and the staying focused that prove to be problematic.
Take now, for example. Here I am blogging, and I’m about to go take a shower, and I’m considering making some coffee, when really I should be writing. Even if I counted the two abortive starts in my word count, I’d still be at only 8,813 words, which is just over half of where I should be. (Of course, with another two days left to write, if I can keep this pace up I’ll be at over 20,000 words by the time I go back to work. Which would be nice, but I don’t see it happening.)
Since I don’t know if I’ll ever get back to this, I’ll include here for your amusement the 612-word steampunk riff. Very, very first draft kind of stuff, but it’s still fun.

Robin Carraway stood on the deck of the HMS Ebenezer, staring out at the wide expanse of the dead city below. There was something about the towers of the abandoned skyscrapers that called out to him, like a mermaid calling sailors down to drown. Every so often the call would become too overpowering and he’d surrender in spite of himself, strapping an ornikite onto his shoulders and gliding down to poke about in the rubble, especially on days when The Longing grew too great to ignore, but today he didn’t have time for such luxuries. Today he and his crew were on a deadline - the Baron was expecting them in the Bronze Court by midday and already the sun was teetering a little too close to directly overhead for comfort. Robin glanced at the heavy chronorig on his left wrist and groaned silently. Punctuality had never been his strong point.
“Master Evans!” Robin bellowed over his shoulder. “Full speed ahead, sir – we have miles to go and only heartbeats in which to cross them!”
The response was a loud, gutteral bark. Robin nodded in satisfaction. Master Evans couldn’t speak - none of his kind could – but they could understand well enough to get the job done, as proven by the Ebenezer’s sudden lurch forward as the craft doubled its speed. Robin gripped the golden rail by his waist to steady himself and smiled grimly. Heartbeats indeed - there were never enough of those left in anything – in the day, in the world, and although he didn’t know it yet, in the Baron’s chest. Robin fingered the chonorig again absently. When he did so a tiny thrill ran through his chest. The chronorig was wired directly into his nervous system, where his own nerves were grafted into a personal information network at the cellular level – if the engineers were to believed, at the DNA level – and his chest tightened a tiny bit as his heart twinged. The network was normal, but the twinge was not. Hence the trip to the Baron. That bastard Baron.
Robin’s gaze drifted downward again to the ruined city far below. London had seen better centuries. The Thames ran red with rust, Parliament was now fit only for crows, and throughout it all the ticktock men held court over the millions of poor landlocked souls who had never learned to fly. This was largely due to no fault of their own – it took a unique combination of breeding, genetics and fortune to break free of gravity’s inexorable pull and rejoin the angels in the sky. Robin was one of the lucky ones, and for this he was eternally grateful. He knew he belonged down there on terra infirma, knew that it was a fluke that had brought him up here, knew that someday that luck would run out and he’d come crashing back down again…
But not today. “Master Evans!” Robin roared again. “Heartbeats!”
The ship’s speed increased yet again, and Robin laughed as the onrushing wind blasted him full in the face. It was no wonder God lived in the skies – even on borrowed time, life in the clouds was nothing short of glorious. The trick was to make the jump from borrowed time to stolen time – because stolen time you never had to give back.
Robin felt hot breath on his neck. “Yes, Master Evans?”
An enormous claw appeared in the leftmost edge of Robin’s peripheral vision, and Robin nodded. “Yes, I know. Make us ready, Master Evans. We’ll have friends attempting to board us soon, as we need to be sure the ship is ready to accommodate them.” His smile spread into a rictus grin. “Especially the brig.”

See? One part Ellison, one part Moorcock, one part The Matrix… Kind of stillborn on the page, perhaps, but still fun to write. We’ll see. Maybe someday.
Finally, a teaser from the 6,911-word piece. Those of you who have read a draft of Bones of the Angel all the way through to the end will know the import of this phrase, and how chilling it actually is to our heroes. This is, in fact, the last thing I wrote before starting this entry, and is what I’ll be returning to shortly:

VICKY RAVENSWOOD FIND MICHAEL WOLVES ARE COMING LOVE DAD

Wish me luck!

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Because I am completely barking mad, I’ve decided to attempt both NaNoWriMo and DrawMo this month. So far DrawMo is winning, as “Lanterns” indicates, but I have several things kicking around for the story already. I’m trying to decide if a series of interconnected short stories counts as cheating for NaNoWriMo. I hope not. (Hey, if people can publish such things as novels, I think I’m in the clear – and coming out of this with a handful of short stories I can shop around would be worth its weight in gold.
I’m also wondering if conference/journal proposals and interviews should count towards the word count – on this I’m leaning towards definitely not, which is too bad – I’ve been writing more of those lately than I care to think about!

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As longtime readers of this blog know, I started my Master’s degree at MIT in 2005, finished it in 2007 and then immediately went to work at MIT as the Communications Director for both Comparative Media Studies (the program where I’d earned said master’s) and for the newly-formed Singapore-MIT GAMBIT Game Lab. I was completely flabbergasted by the amount of work that being a grad student in CMS had entailed, but I was utterly floored when the amount of work as an employee was even more than that. Still, the past year-and-a-half have been incredibly rich and rewarding, and has allowed me time to continue my studies, which was my main reason for wanting to stick around. Even though I’m not currently in any kind of degree-granting program (and yes, the desire for that delayed Ph.D does have me occasionally wailing and gnashing my teeth), my time has been far from wasted – especially since becoming a researcher at GAMBIT in addition to its Communications Director.
The amount of media I’ve been consuming has been obscene. Barely a week goes by when I’m not buying another book, movie, or game in an attempt to bring myself up to speed in multiple categories. It’s been a ridiculously overwhelming project, learning tons about scholarship, theory and criticism in games, films, comics and literature, but lately I’ve been noticing that I’m making serious progress. Granted, I’m still only about 75%-80% of the way through the AFI top 122 films and I’ve barely scratched the surface of a whole ton of material, but it’s remarkable how much more grounded I feel now than I did when I was a graduate student – and most of that has come after graduation. I have a greater grasp now on Callois, Huzinga, Ryan, Bolter and other game theorists; I’m familiarizing myself with the work of David Bordwell and other film scholars; I’m reading up on the history of comics in the early 1900s; I’m digging deeper into experimental animation from characters like Svenkmajer and the Brothers Quay… Plus I’ve been filling in tons of gaps in my experience with the genre canon – for example, this weekend I read H.P. Lovecraft’s At the Mountains of Madness for the first time, observing carefully when and where I was caught up in his description of his bizarre world and when I was skimming paragraphs due to his blatant violations of ‘show, don’t tell’. I’m also hard at work revising my writing, banging out essays for possible publication, gathering my wits about me for possible short stories and researching both how to write book proposals and how to approach literary agents.
Long story short, even though CMS doesn’t have a Ph.D, this is what I’d imagine a Ph.D in CMS would be like. Maybe someday we’ll actually get one and I can set about turning this wooden puppet of research into a real boy of a degree. Then again, even if not, this is probably how the rest of my life will be when it’s not being dedicated to errands, repairing houses and/or cars, raising kids and other life challenges. And actually, that sounds simply awesome. More actual writing and publishing, please, but this is pretty much the groove I’ve been looking for all along.
Life is good!

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While reading this Mediabistro piece on Michael Chabon, Jeffrey Ford and why genre tags don’t matter, I found myself reflecting on Borders’ current struggles with solvency. I’d be devastated if Borders and Barnes and Noble went under due to Amazon, just as I’ve been deeply mournful of all the indie bookstores put under by Borders and Barnes and Noble, but there might be one upside to the disappearance of the physical bookstore: the possible death of genre-ghettoization of authors. As Chabon and Ford so eloquently explain:

Chabon pointed out that the idea that writers would only work within one genre is a relatively new one; look at the range of stories Edgar Allan Poe or Rudyard Kipling told, for example, or Isaac Bashevis Singer. “Singer is unquestionably recognized as a literary writer,” Chabon explained, “but is also as much a part of the supernatural literary tradition as Poe.” In this vein, Ford recommended that we both pick up Beneath the American Renaissance, a book by David S. Reynolds about the 19th-century popular culture that shaped what we now regard as American literary masterpieces.
“I don’t know why it’s such a big deal,” Ford said of the genre-straddling, to which Chabon replied, “The people it matters the least to are the ones who are doing it. In so many other artistic mediums, it’s not weird at all.” He cites the career of filmmaker Robert Altman, who went from war comedy to private eye story to western (to take just one short segment) with ease. “The fact that he was working in all those genres–that’s standard operating procedure in Hollywood.”

Don’t get me wrong – the idea of genre will continue to exist, but perhaps this idiotic categorization of authors into only one genre will finally disappear. Characters like Jonathan Carroll who write wonderfully difficult-to-categorize books will no longer be shunted off into just the sci-fi section or the literature section, since one of the most beautiful things about Amazon is that it’s so easy to browse freely across books that are simply recommended through similar purchasing patterns.
As it is, the floundering of Borders is causing all kinds of consternation. Allow me to point you to Gregory Frost’s recent essay in The Wild River Review,Books Without Borders“, wherein he laments Borders’ recent decision to not stock his new novel. A bookstore opting to “skip” a new novel is unfortunately not at all that uncommon – as Andrew Wheeler notes, zero is the default order for any new book – but it’s surprising in Frost’s case because he’s a well-established novelists whose novels are consistently solid-sellers, if not New York Times bestsellers. Frost’s not alone – Borders has been slashing its orders on all kinds of authors in a mad struggle to stay afloat, including even Geoff Ryman, according to Lady Churchill’s Rosebud Wristlet / Small Beer Press. As Link and/or Grant puts it so perfectly:

[Borders] is sitting tight, not ordering books, trying not to go bust. So, best of luck on the not going bust, might be a bit hard if they’re not actually carrying the books people are expecting to find.

I’m torn, myself. Honestly, I think the widespread advent of book-buying online is a great thing insofar as it blows the doors off the amount of great niche content that’s made available relatively quickly, and provides access to such special editions as those offered by Subterranean Press and Payseur & Schmidt, as well as a business model for tons of great new up-and-comers in film, comics, books and games all over the world. However, I’m also well aware that there’s a serious threat of increased difficulty in making a living at this when it becomes increasingly difficult to separate the wheat from the chaff.
What I honestly don’t know is how much the new models of online promotion and distribution (including word-of-mouth on blogs, free content distribution and ebooks) will offset the loss of physical copies in bookstores being picked up by people browsing. It might, or it might not – I honestly don’t know how long it will be before any kind of definitive answer ever appears. The biggest reason to go with one of the Seven Sisters now is the big rumbling engines of their publicity departments – but if physical bookstores go away, how much will that still matter? And will the CPM on online book sites go through the roof if suddenly physical browsing ceases to be a feasible method by which to find new stuff?

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I haven’t done one of these in a while now, have I?

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Maria Tatar and Gregory Maguire

This has been an amazing month for attending lectures. First there was Kelly Link at the Harvard Book Store, reading to promote her new book Pretty Monsters; then there was Jonathan Carroll at the Harvard Book Store, reading to promote his new book The Ghost in Love; then this week there was Maria Tatar and Gregory Maguire at the Brattle Theater (organized by the Harvard Book Store) to promote his new book A Lion Among Men; last night there was Art Spiegelman at the Brattle (organized by the Harvard Book Store) to promote his new/old book Breakdowns, and then today there was Jeet Heer, Ho Che Anderson and Diana Tamblyn at MIT courtesy of Sarah Brouillette, CMS, FL&L, Literature and the Kelly-Douglas Fund.
The upshot of all this? Living in Boston is awesome. MIT is awesome. And the Harvard Book Store is amazing.

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Courtesy of the lovely Small Beer Press newsblog comes my discovery of a new favorite group. Ever heard of the Winterpills? No? Then get thyself over to their official site or their Virb.com page and give their stuff a listen. Close harmonies, beautifully wistful and poetic lyrics (as SBP notes, yes, “You were born immortal and you’ll die immortal” is a bloody amazing line, and I wish I’d thought of it, as is “We met first in cafés / and later in ruins” – I mean, day-um) and a myriad of both acoustic guitars and slightly distorted tweets, chirps and burbles make this group easily one of my favorite new discoveries of 2008. And yes, they’re on iTunes. There went thirty bucks…
And now I must away, as Laura and I have tickets to tonight’s Gregory Maguire / Maria Tatar event at the Brattle and I am sufficiently stoked for both of us and all of you out there in Internetville.

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A new piece for my portfolio: the artwork that I created for the ABSINTHE multimedia arts salon that I emceed this past weekend in Union Square…

Absinthe Robotte

Big props to Joelle for putting together this awesome event! (And, for the curious, a link to the original beautiful art that inspired this piece. The original is full of rich, vibrant colors, but I wanted to keep mine largely grayscale with only a few accent colors to make them really pop – the green of the absinthe, of course, but also the sky blue of the hope in her eyes – and to drive home the cool, chilly, metallic tone of her artificial existence. La belle epoxy, if you will.)

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