So Apple just launched new colors for the iPod shuffle the same palette, mostly, as the iPod nanos. Mostly for some reason there’s an orange shuffle but no orange nano, and (annoyingly) a black nano but no black shuffle. I myself would only be interested in a silver or black shuffle, so if I buy a new one, it’d be the silver one. The question to my mind, though, is why would I want one? After all, not buying a 1GB shuffle is essentially a $79 discount off an iPhone, and an iPhone is an 8GB iPod. True, this is a big step down from my current 60GB iPod video, which is sad, but the addition of the phone is pretty sharp. The question is whether to buy a first iteration iPhone or wait for a while until the dang thing actually has enough capacity to carry around more of my (increasingly growing) video collection…
Storyteller, scholar, consultant. Loving son, husband and father. Kindhearted mischief-maker.
I'm the Director of the Games and Simulation program at Miami University in Ohio, where I am also an Assistant Professor in the College of Creative Arts' Emerging Technology in Business and Design department. I'm also the director of Miami's Worldbuilding and Narrative Design Research Laboratory (WNDRLab). I have a Master's in Comparative Media Studies from MIT and a PhD in Media Arts and Practices from the University of Southern California.
In past lives I've been the lead Narrative Producer for Microsoft Studios and cofounder of its Narrative Design team, working on projects like Hololens, Quantum Break and new IP incubation; in a "future of media" think tank for Microsoft's CXO/CTO and its Chief Software Architect; the Creative Director for the University of Southern California's World Building Media Lab and the Technical Director, Creative Director and a Research Fellow for USC's Annenberg Innovation Lab; a Visiting Assistant Professor at Whittier College and director of its Whittier Other Worlds Laboratory (WOWLab); the Communications Director and a researcher for the Singapore-MIT GAMBIT Game Lab; a founding member of the Convergence Culture Consortium at MIT (now The Futures of Entertainment); a magazine editor; and a award-winning short film producer. more »
The opinions put forward in this blog are mine alone, and do not reflect the opinions of my employers.
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