{"id":1768,"date":"2009-02-11T08:26:49","date_gmt":"2009-02-11T08:26:49","guid":{"rendered":"http:\/\/www.geoffreylong.com\/wordpress\/?p=1768"},"modified":"2009-02-11T08:26:49","modified_gmt":"2009-02-11T08:26:49","slug":"on-peter-porter","status":"publish","type":"post","link":"http:\/\/www.geoffreylong.com\/wordpress\/archives\/1768","title":{"rendered":"On Peter Porter."},"content":{"rendered":"<p><i>The Guardian<\/i> has a nice piece up at the moment tracing <a href=\"http:\/\/www.guardian.co.uk\/culture\/2009\/feb\/07\/peter-porter-interview-poetry\">the life and work of Peter Porter<\/a>, one of my favorite contemporary poets.  At the very end of it they include one of Porter&#8217;s works, which I&#8217;m reposting here to give you some sense as to why I enjoy his stuff:<\/p>\n<blockquote><p>\n<strong>Both Ends Against the Middle<\/strong><br \/>\nDeep inside the Imperial War<br \/>\nMuseum<br \/>\nWhere children are surprised by<br \/>\nundreamt dreams<br \/>\nDestruction&#8217;s most impartial<br \/>\ntheorem,<br \/>\nThe Rolls-Royce Merlin Aircraft<br \/>\nEngine, gleams.<br \/>\nIt seems just lowered by Donatello&#8217;s<br \/>\ntackle:<br \/>\nHe would have known why copper<br \/>\npipes entwine<br \/>\nSo murderous a tabernacle<br \/>\nAnd where control and fate might<br \/>\nshare a line.<br \/>\nThe Spitfire&#8217;s engine&#8217;s once kinetic<br \/>\nfury<br \/>\nAnd Donatello&#8217;s layered appetite<br \/>\nAre Humanism&#8217;s judge and jury,<br \/>\nThe Alpha and Omega of<br \/>\ndelight.<br \/>\n<i>from &#8220;Both Ends Against the Middle&#8221;,<br \/>\npublished in <\/i><a href=\"http:\/\/www.amazon.com\/Collected-Poems-1984-1999-Oxford-Poets\/dp\/0192880985\/\">Collected Poems, Vol 2<\/a><i><br \/>\n(Oxford University Press)<\/i><\/p><\/blockquote>\n<p>What I enjoy about Porter is how he revisits the notion of rhyming poetry (which I usually associate with dry, crufty twaddle) and makes it <i>crackle,<\/i> mixing both the end-of-line rhyme scheme with an internal internal rhyme scheme to come up with erratic patchwork connections like <i>dreams &#8211; gleams &#8211; seems<\/i> in the first stanza-and-change in the work above.  I also love his blending of the traditional with the contemporary, as evidenced by his suggestion of Donatello&#8217;s insight into the construction of the Spitfire engine.  Like some kind of a Mexican chocolate truffle, it&#8217;s a short piece but multilayered, appealing first with its surface structure and then more so as you unpack the connections and surprisingly juxtaposed imagery inside.  (Forgive the awkward simile &#150; I&#8217;ve not yet had breakfast.)<br \/>\nFor a Porter primer (har har), I suggest his 1997 collection <i><a href=\"http:\/\/www.amazon.com\/Dragons-Their-Pleasant-Palaces-Oxford\/dp\/0192880284\/\">Dragons in Their Pleasant Palaces<\/a>,<\/i> which was how I discovered him when I was studying at Exeter.  He has one line, &#8220;a dream&#8217;s imagination&#8217;s ambulance,&#8221; which has haunted me for <i>years;<\/i> I&#8217;m confident that you&#8217;ll find something similar in any of his works.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Guardian has a nice piece up at the moment tracing the life and work of Peter Porter, one of my favorite contemporary poets. At the very end of it they include one of Porter&#8217;s works, which I&#8217;m reposting here to give you some sense as to why I enjoy his stuff: Both Ends Against [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1768","post","type-post","status-publish","format-standard","hentry","category-poetry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4e5QR-sw","_links":{"self":[{"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/posts\/1768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":0,"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/posts\/1768\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1768"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.geoffreylong.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}