It’s Friday, the globally-recongized Day of Slack. To facilitate said slacking, I’d like to share my recent recommendations from the world of magazines. All three should provide plenty of escape from a gray, overcast, humdrum Friday afternoon.
For all of us who still pine for the meteoric drop in quality suffered by Wired in the last decade or so, Res may be the answer. Originally dedicated solely to digital filmmaking, Res underwent a radical career crisis about a year ago and announced they were remaking themselves as a “resolution-independent” culture magazine. By expanding their focus to encompass art, music, lifestyle and culture as well, Res effectively became what Wired was in 1995. This is cause for celebration.
In other Zine news, folks like me who enjoy their rock with a little folkier twist should check out Paste, whose tagline “signs of life in music and culture” is pretty accurate. Paste is a bimonthly publication that ships with a free CD which, so far, has been utterly spectacular. They cover new bands like The Thorns, older artists like Lucinda Williams, and everything in between, so long as it qualifies as genuinely good music. Copies can usually be found at Borders, and D.C.-area folks can also find it at Jammin’ Java in Arlington.
One final element to round out this trifecta: Strata just released their long-awaited fourth issue, and as always, it’s a beautifully-designed, insightful piece of work. The schtick here is “the common man’s fifteen minutes”, which results in interviews with random people snagged off the street, art inspired by everyday life and a couple really good essays. Strata has a lot in common with Inkblots, truth be told, which is probably one of the main reasons why I enjoy it so much which means that if you like hanging around here, you should probably check them out too.
So go on, shoo — it’s Friday, and you’re not really working anyway, are you?

Storyteller, scholar, consultant. Loving son, husband and father. Kindhearted mischief-maker.
I'm the Director of the Games and Simulation program at Miami University in Ohio, where I am also an Assistant Professor in the College of Creative Arts' Emerging Technology in Business and Design department. I'm also the director of Miami's Worldbuilding and Narrative Design Research Laboratory (WNDRLab). I have a Master's in Comparative Media Studies from MIT and a PhD in Media Arts and Practices from the University of Southern California.
In past lives I've been the lead Narrative Producer for Microsoft Studios and cofounder of its Narrative Design team, working on projects like Hololens, Quantum Break and new IP incubation; in a "future of media" think tank for Microsoft's CXO/CTO and its Chief Software Architect; the Creative Director for the University of Southern California's World Building Media Lab and the Technical Director, Creative Director and a Research Fellow for USC's Annenberg Innovation Lab; a Visiting Assistant Professor at Whittier College and director of its Whittier Other Worlds Laboratory (WOWLab); the Communications Director and a researcher for the Singapore-MIT GAMBIT Game Lab; a founding member of the Convergence Culture Consortium at MIT (now The Futures of Entertainment); a magazine editor; and a award-winning short film producer. more »
The opinions put forward in this blog are mine alone, and do not reflect the opinions of my employers.


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